The Last Moments of Michel Lepeletier
- View a machine-translated version of the French article.
- Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
- Consider adding a topic to this template: there are already 6,179 articles in the main category, and specifying
|topic=
will aid in categorization. - Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
- You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is
Content in this edit is translated from the existing French Wikipedia article at [[:fr:Les Derniers Moments de Michel Lepeletier]]; see its history for attribution.
- You may also add the template
{{Translated|fr|Les Derniers Moments de Michel Lepeletier}}
to the talk page. - For more guidance, see Wikipedia:Translation.
The Last Moments of Michel Lepeletier, The Death of Lepeletier de Saint-Fargeau or Lepeletier on his Deathbed was a 1793 painting by the French artist Jacques-Louis David.
Now lost, it showed député Louis-Michel Lepeletier de Saint-Fargeau on his deathbed following his assassination for voting in favour of the execution of Louis XVI and formed a diptych with The Death of Marat for the meeting hall of the National Convention. Those two paintings and The Death of Young Bara formed a series devoted to martyrs of the French Revolution.
It was removed in 1795 and entrusted to the artist, who still owned it on his death in Brussels. It was then sold by his family to the subject's daughter Louise Suzanne de Mortefontaine. After that sale it disappeared and most probably Louise destroyed it and as many engravings after it as possible in order to erase any trace of her father's part in the Revolution. It is only known through a drawing by Anatole Desvosge and an engraving by Tardieu which partially escaped destruction.
See also
Sources
- Aristide Déy, Histoire de la ville et du comté de Saint-Fargeau, Perriquet et Rouillé, 1856
- v
- t
- e
- List of works
- Portrait of François Buron (1769)
- Jupiter and Antiope (1771)
- Minerva Fighting Mars (1771)
- Diana and Apollo Killing Niobe's Children (1772)
- The Death of Seneca (1773)
- Erasistratus Discovering the Cause of Antiochus' Disease (1774)
- The Funeral Games of Patroclus (1778)
- Saint Jerome Hears the Trumpet of the Last Judgment (1779)
- Saint Roch Interceding with the Virgin for the Plague-Stricken (1780)
- Portrait of Count Stanislas Potocki (1780)
- Belisarius Begging for Alms (1781)
- Christ on the Cross (1782)
- Andromache Mourning Hector (1783)
- Portrait of Alphonse Leroy (1783)
- Oath of the Horatii (1784)
- The Vestal Virgin (c. 1787)
- The Death of Socrates (1787)
- Portrait of Antoine-Laurent Lavoisier and his Wife (1788)
- The Loves of Paris and Helen (1788)
- The Lictors Bring to Brutus the Bodies of His Sons (1789)
- Portrait of Madame Pastoret (1791)
- Lycurgus of Sparta (1791)
- Portrait of Philippe-Laurent de Joubert (c. 1792)
- Portrait of Madame Marie-Louise Trudaine (1792, unfinished)
- The Death of Marat (1793)
- The Last Moments of Michel Lepeletier (1793, lost)
- The Death of Young Bara (1794, incomplete)
- The Tennis Court Oath (1794, incomplete)
- Self-Portrait (1794)
- Portrait of Pierre Seriziat (1795)
- Psyche Abandoned (1795)
- The Intervention of the Sabine Women (1799)
- Portrait of Madame Récamier (1800)
- Portrait of Cooper Penrose (1802)
- Napoleon at the Saint-Bernard Pass (1800–1805)
- Portrait of Pope Pius VII (1805)
- Napoleon in Imperial Costume (1805)
- The Coronation of Napoleon (1807)
- Sappho and Phaon (1809)
- The Distribution of the Eagle Standards (1810)
- Portrait of comte Antoine Français de Nantes (1811)
- Napoleon in His Study (1812)
- Leonidas at Thermopylae (1814)
- Cupid and Psyche (1817)
- The Farewell of Telemachus and Eucharis (1818)
- The Anger of Achilles (1819)
- Mars Being Disarmed by Venus (1824)
This article about an eighteenth-century painting is a stub. You can help Wikipedia by expanding it. |
- v
- t
- e